Facts Sake Pdf 1 New ~repack~ | Bob Daisley For

Unlike many autobiographies that rely solely on memory, For Facts Sake relies heavily on Daisley’s personal journals. He provides exact dates of rehearsals, recording sessions, and writing periods, offering an almost forensic examination of how the albums were made.

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: The book contains over 460 photographs, the vast majority in full color and largely unseen until now. These are not just publicity shots; they are Daisley's personal, fly-on-the-wall snapshots from recording studios, tours, and backstages, offering an unparalleled visual diary of rock history. bob daisley for facts sake pdf 1 new

If you have ever hummed along to the chorus of “Crazy Train” or marvelled at the intricate basslines on Diary of a Madman , you owe it to yourself to read – and to remember the man behind the music.

In a particularly vindictive move that Daisley recounts in "For Facts Sake," Ozzy's camp, in an attempt to scrub the original lineup from history, had the original bass and drum tracks on reissues of Blizzard of Ozz and Diary of a Madman re-recorded by other musicians (Robert Trujillo and Mike Bordin). Unlike many autobiographies that rely solely on memory,

By following this guide, you'll be able to gain a deeper understanding of Bob Daisley's story and the context surrounding his book, "For Facts Sake".

To understand why exists, you have to understand the controversy that preceded it. Daisley and Kerslake were fired from the Ozzy Osbourne band before Diary of a Madman was even released. When the album came out, the credits listed bassist Rudy Sarzo and drummer Tommy Aldridge – musicians who had not played a single note on the record. “That was a travesty, a true crime against [drummer] Lee Kerslake and me,” Daisley told Bass Player magazine decades later. “I’d worked hard on that album … and then, to see all my hard work get credited to someone who’d had nothing to do with any of it was heartbreaking, and the same goes for Lee”. He added that seeing the erroneous credits for the first time was “like a punch in the solar plexus”. These are not just publicity shots; they are

For Facts Sake: The Unfiltered Legacy of Bob Daisley’s Musical Journey