Often, older documentaries are uploaded by educational channels or history enthusiasts.
. The daughters have publicly demanded that the footage be destroyed. Where to find it:
...then Growing will reward you. It is slow, strange, and sometimes frustrating—just like Larry Rivers himself.
Because Growing is a vital piece of art history, your best bet for a high-quality stream or download is through institutional access: documentary growing 1981 larry rivers download new
The film being added to academic databases (like Kanopy or Criterion Channel) often triggers widespread internet searches by students and researchers looking for standalone downloads. Where to Legally Find and Stream Growing (1981)
If you are researching this specific era of art history or want to explore other facets of this case, let me know if you would like me to compile regarding the archive, or a list of legitimate documentaries that critically analyze the boundaries of modern art history. Share public link
, NYU declined to accept the "Growing" series, returning the tapes to the Larry Rivers Foundation Where to find it:
To grasp the controversy, you need to understand who Larry Rivers was. Born in 1923, he was a pivotal and provocative American artist, often called the "Godfather" of Pop Art. He was a renowned painter known for blending abstract expressionism with figurative art, a skilled jazz saxophonist, an occasional actor, and a daring, experimental filmmaker.
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that documented his two adolescent daughters, Emma and Gwynne, as they went through puberty. Rivers filmed them naked or topless every six months between 1976 and 1981, asking intimate questions about their developing bodies. Where to Legally Find and Stream Growing (1981)
The "new" download is here. Pay the modest fee. Watch it on a big screen. And then argue with your friends: Was Larry Rivers a forgotten master or a charming narcissist? The documentary Growing lets you decide.
The situation sparked a massive debate over whether the work should be considered "art" or "child pornography". Emma argued that the footage should be returned to her and her sister, rather than being preserved for public or scholarly access. NYU's Decision: Following the public outcry and the family's distress, NYU declined to accept
Although Rivers edited the footage into a film in 1981 for an exhibition, the girls' mother, Clarice Rivers, stopped its release. It was subsequently archived. The New York Times Current Status and Availability Archive Conflict: The Larry Rivers Foundation sold the artist's archives to New York University (NYU)