A slightly off-center perspective on monetary problems.
The scheme relies on a brilliant, yet chaotic, plan: creating a massive, city-wide traffic jam to paralyze the Italian authorities and mafia, allowing a trio of Mini Coopers to transport the gold through the urban landscape The Italian Job - Wikipedia . The film is a thrilling ride, filled with adversity from the Mafia, the police, and simple bad fortune The Italian Job (1969) Ending, Explained - IMDb . Why 1969 Was the Perfect Year
The Ultimate Update on The Italian Job (1969): Cinema’s Greatest Cliffhanger
★★★★★ (Essential viewing)
The Italian Job explores several themes that contribute to its enduring appeal:
Still thinking about that ending. The Italian Job (1969) is pure cinematic perfection. If you haven't seen the original Mini Cooper chase through Italy, you’re missing out on a piece of history. Watch the Official Trailer on YouTube 🎥 The Italian Job (1969) - Making Of the italian job 1969 upd
Forget the 2003 remake. The original The Italian Job is pure nitro-fueled nostalgia.
The film follows a gang of professional thieves, led by Charlie Croaker (Michael Caine), who plan to steal a large shipment of gold in Italy. The team, comprising experts from various fields, including safecracker Phil (Noël Coward), driver Mike (Benny Hill), and demolition expert Rainbow (John Perkins), devise an intricate plan to infiltrate the gold reserve in Rome. The scheme relies on a brilliant, yet chaotic,
Then, in a complete tonal shift, there is the car chase music. "Getta Bloomin‘ Move On," better known by its chorus "The Self-Preservation Society," is a raucous, infectious, and wildly anachronistic singalong that plays over the Mini Cooper chase. Unlike the slick orchestration of the rest of the score, this song sounds like a group of Cockney geezers in a pub, stomping their feet and clapping their hands. It features lyrics like "Get a bloomin' move on, the self-preservation society, we're all going on a summer holiday," and it is utterly perfect for the scene. The genius of the soundtrack is Jones' ability to switch between two such different musical moods and have both feel absolutely right for the film‘s split personality: part suave caper, part rowdy comedy.
Famed French stunt coordinator Rémy Julienne orchestrated the action, treating the car chase as a "scientific" exercise where every turn was calculated to the exact mile per hour. Driver David Salamone (who drove the red Mini) later revealed that the cars were not shipped to Italy; the drivers, their girlfriends, and even their mothers drove the Minis and Jaguars down from the UK themselves. Salamone noted the absurdity of returning to London with a boot (trunk) full of prop gold bars, which once landed a driver in jail when mistaken for actual bullion. The Italian Job (1969) is pure cinematic perfection
